Okay, so maybe if every other sentence contained the dreaded adverb, a reader might be overwhelmed. But seriously, what is wrong with them? They have as much right to be a part of speech as the great Noun or mighty Verb. If the verb itself is not embarrssed by the presence of its less popular cousin, why should we be? It is highly possible, Mr Elmore Leonard, that a well chosen adverb can enrich a sentence, which in turn enriches the world the author is trying to create.
I may be a novice in the eyes of so esteemed a writer (I make no presumption that I am anything more), but as such, I am entitled to my opinion. I agree with some of the points Leonard makes, such as the overuse of exclamation marks and the problems associated with regional dialect, but ‘suddenly’ is not an evil word and can be put to great effect at a time of action in a novel. Robert Jordan wrote one of the best prologues in any novel to begin his first book in the (highly successful) series The Wheel of Time. It actually gave me an idea for a story of my own.
‘Said’ to conclude a piece of dialogue can get ineffably boring. You don’t have to use the fancy endings Leonard quotes like ‘he admonished gravely’ (though I quite like that), but what is wrong with a ‘he asked’ or a ‘she replied’ every so often to break the monotony?
Few of his rules I found helpful; they resembled more a rant about pet peeves than a list of constuctive suggestions.
The top ten points of other authors deserved the bold type in my opinion. (With difficulty) I have chosen my ten favourite:
Read it aloud to yourself because that’s the only way to be sure the rhythms of the sentences are OK (prose rhythms are too complex and subtle to be thought out – they can be got right only by ear). Diana Athill
You don’t always have to go so far as to murder your darlings – those turns of phrase or images of which you felt extra proud when they appeared on the page – but go back and look at them with a very beady eye. Almost always it turns out that they’d be better dead. (Not every little twinge of satisfaction is suspect – it’s the ones which amount to a sort of smug glee you must watch out for.) Diana Athill
Do it every day. Make a habit of putting your observations into words and gradually this will become instinct. This is the most important rule of all and, naturally, I don’t follow it. Geoff Dyer
Write whatever way you like. Fiction is made of words on a page; reality is made of something else. It doesn’t matter how “real” your story is, or how “made up”: what matters is its necessity. Anne Enright
Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong. Neil Gaiman
The main rule of writing is that if you do it with enough assurance and confidence, you’re allowed to do whatever you like. (That may be a rule for life as well as for writing. But it’s definitely true for writing.) So write your story as it needs to be written. Write it honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter. Neil Gaiman
Open your mind to new experiences, particularly to the study of other people. Nothing that happens to a writer – however happy, however tragic – is ever wasted. P. D James
Don’t just plan to write – write. It is only by writing, not dreaming about it, that we develop our own style. P. D. James
Be without fear. This is impossible, but let the small fears drive your rewriting and set aside the large ones until they behave – then use them, maybe even write them. Too much fear and all you’ll get is silence. AL Kennedy
Don’t sit down in the middle of the woods. If you’re lost in the plot or blocked, retrace your steps to where you went wrong. Then take the other road. And/or change the person. Change the tense. Change the opening page. Margaret Atwood
The full article (which I found helpful and uplifting) can be found here.









